The Forgotten Guard of Athens
2023 180x400cm, diptych / acrylic, oil pastel, pencil, textile, collage and bleach on denim
The Forgotten Guard of Athens (Pediment), was created for the exhibition Encore: New Greek Painting (2023), that took place at the Municipal Gallery of Athens, curated by Eleni Koukou, Theofilos Trampoulis and Christoforos Marinos.
It is based on the research of Anestis Ioannou on the work of Yannis Tsarouchis “The Forgotten Guard”. Tsarouchis’ work concerns an ancient Athenian story, about the Tyrant Killers Harmodius and Aristogeiton, which he considers a crime of passion, and focuses on the relationship between the naked and the clothed. Ioannou approaches an ancient Athenian story as well, the dispute between Athena and Poseidon over the city of Athens, as depicted on the west pediment of the Parthenon. Based on his contemporary experience of Athenian life, he attempts to cultivate a dialogue between the past and the present, depicting the remnants of myths. The guard of Athens is absent from the composition, in Athena’s place there is an empty plastic chair, while the rest of the protagonists are the remains of Cephissus, the torso of Poseidon and finally Hermes. These remnants replace the Tsarouchis’ three protagonist soldiers, his forgotten guard. “In my painting I incorporate individual depictions of statues with only an outline, giving the feeling of empty bodies, frozen in time, as fragments of ancient Greek sculpture. My protagonists compose hollow monuments: working in a circle from a place to a body and from a body to a memory.”




In Your Shoes, On Rooted Seeds
2022 / 150x200cm / acrylic, textile, collage and bleach on denim
This work was created for the “Rembetiko” exhibition at the Center of Arts of the Municipality of Athens, curated by Christoforos Marinos. It was based on the study of the set design by Yannis Tsarouchis for the film “Stella” by director Michalis Kakogiannis. It is an empty Rembetiko music stage, after the performance, where the action still exists through its traces and the used objects.
This work is part of the collection of the Bank of Greece
